Perhaps this would be better titled: What Not to Share. But if one cannot humiliate oneself and get a blog post out of it, then really, what’s the point of humiliation?
Let’s consider three different shoe combinations, shall we? These are perfectly acceptable. They may not be your taste but I have foot problems (why of course I do – is there anything on my body which functions normally? No Virginia, there is no Santa Clause-only Dr. Scholl’s), and so they have to have a little heel, but not too much. And they have to have great arch support. These qualify and are therefore a shoe of choice: (Pay no attention to the wrinkly ankles.)
And again, this next pair has suited me so well they are nearly worn to a frazzle, like their owner:
While each of these pairs of shoes are perfectly acceptable on their own, combining them seems to be a fashion error:
And I think we could all agree it would be decidedly silly to think you could go into public with this combo and so, of course, we wouldn’t. Unless you’re me and then, of course, you would. It would happen while once again dressing in the dark, which we know always gets me in trouble – (if you’ve forgotten the underwear incident or never read it you can horrify yourselves HERE).
This time, it was apparently too much trouble to turn on the light in the entry way and actually survey the shoe basket. I simply reached in with my toes and felt my way around. Now, due to neuropathy in my feet from an unknown cause (no, it’s not diabetes), I have little “sensing” abilities. I can’t always tell when my feet are even touching something, let alone the RIGHT something. I’ve been known to shove a turned over toe into a closed shoe and not even realize it immediately. Consequently, I’m supposed to be careful but careful and I don’t get along that well so we don’t hang out as often as we should.
And so confident was I that all was right, I merrily flitted out the door and drove myself to community choir. And really, all would have been well, indeed possibly even undetected, if our dear choir director – thank you, Licia – had not insisted we all gather together out of our graduated seating positions and join one another in a large and convivial circle on the floor, where we might blend our voices in harmonious rapture.
The only problem was that would mean we were all looking at each other – from the ground up – full view – no hidden feet behind the chair in front of you. But I gave it not a second thought. I did not presume for a moment to be concerned about anything other than the part I was supposed to sing – in tune and on time. However, when others – yes, Kaylee, I mean YOU – happen to consider your frame (knowing it is weak), and they casually observe your less-than-desirably-shod situation, they are inclined to become uncontrollably hysterical, and, in so doing, they will draw others into their frivolity, happily revealing the source by pointing and laughing to the point of tears.
You will woefully realize, upon closer examination of your feet, that your extremities are the source of this spontaneous merriment. What are you to do under such circumstances? Why nothing more than to take a spin around the circle of song birds, advertise your feet, and allow them to crow more loudly.
And then you simply resume singing when everyone is done wetting their pants and crying, because, after all, it IS me.
No one really expects anything different.
“For what do we live, but to make sport for our neighbours, and laugh at them in our turn?” Mr. Bennet, Pride and Prejudice, by Jane Austen.
©Copyright 2010
